21 August 2020

Animal body parts

This activity is designed to stretch students' vocabulary related to animals. I've used it with Primary 3 and 4 students and they're enjoyed it. The materials were designed for an 80-minute class, so if your classes are shorter, you drop steps or spread them over two class periods. Enjoy!

Procedure

Presentation
1. Introduce animal parts
(pp.1–3)
- project words on screen from PC or visualizer
- use Total Physical Response (TPR) for fun and memory connections
- I usually do 5 items at a time and drill memory and pronunciation as I go

(Click Animal Body Parts to open an editable Word document. Images are below.)

Practice
2. Spell & write 
(p.4)
- ss write animals body parts and names of animals with those body parts 

- ss won't know some animals in English or how to spell their names
- make them use their English, e.g. This fish is dangerous. (shark) This animal has a long neck. (giraffe) It has a shell. It is small. We eat it. (snail / shrimp)
- make ss ask for spelling, e.g. How do you spell [giraffe]? — and I always make them start and spell as much as they can
            

3. Check results
- write animal body parts on board / or project p.4 on board
- have ss share animals for each body part and write those animals on the board; 2 or 3 animals per

4. Check understanding
- clear or cover board

- use TPR to check body parts
- ask 
Does [a bear] have fur / spots / stripes? Does [an elephant] have a tail / fins / tusks? 
- You can do this as a class to start and then set them up to do in groups.

Check
5. Crossword 
(p.5)
- have ss do in pairs or groups
- to level down, fill in some letters in the crossword, esp for BONUS words
project on board and have ss fill in answers

6. Odd one out (p.6)
- have ss circle the one animal that doesn't belong in each set
- check answers and have ss given reasons, e.g. A bear doesn't have scales. A snake doesn't have claws. 

Write & speak
7. Draw and write
- have ss draw one real animal and/or one imaginary animal (choose only one if time is limited)
- tell ss to give each animal a name and to write 3 or 4 sentences about them, e.g. Hello. I am … / My name is … I’ve got … two blue horns and gills and I can swim underwater.
- ss can write about age, family, hobbies, likes, etc.; brainstorm ideas and board with ss if you like

8. Act
- put ss into pairs and have act out/role-play their real or imaginary animal

                Hello, I’m Owen and I’m a shark. 


                                Hi, Owen. It's nice to meet you. I'm a ...












24 July 2020

Primary OUP Ready 1A, 1B, 2A, 2B, 6A, 6B

In 2015, I was lucky enough to be asked to work on a new primary school series, Ready, for Oxford University Press (OUP), China. Before then, I hadn't done much work with primary ELT material. I'd written quite a few comprehension and writing lessons, as well as story/teaching guides, for the Oxford Reading Tree series, which is an excellent series of readers. I guess the team I had worked with at OUP liked my work well enough that they felt I was ready to take on half of their primary course. I greatly appreciated their confidence in me.

Part of my job, like most ELT textbook writers, was to bring the Scope & Sequence (S&S) to life. For the S&S, think 'Contents' page, as that's roughly what it is—a spreadsheet with unit flows showing topics, vocabulary items in a possible context, reading strategies, suggestions for reading passages, types of comprehension to focus on, grammar items to cover, and task outcomes to set up.

My usual practice when I design material is to make sure the S&S for a book, say six units, 'holds together' well, flows, and covers a good range of topics, text types, vocabulary, grammar items, and task outcomes. When I saw the S&S from OUP, I could see they had done the same thing, which certainly made my life easier. 

Once the S&S for the book was clear in my head, my practice was to develop units out of the reading passage. Reading passages are the heart of units. The vocabulary and its context would set up and foreshadow the reading passage, and the reading passage would provide a context for the grammar and a model and/or springboard for task outcomes. So getting the reading passages right would usually mean the rest of the unit fell easily into place. 



Fortunately, it all went smoothly and on schedule and I learned loads during those months—I learned how to:

  • create visual contexts for vocabulary sets
  • write stories, blogs, conversations, articles, etc. within tight vocabulary and grammar constraints
  • design simple yet engaging vocabulary and grammar activities
  • scaffold speaking and writing task outcomes for achievability
  • produce clear, detailed art briefs

And I couldn't have done without support from a fab OUP team. 











30 June 2020

Skill Smart x 2, Step Ahead

Role: Senior editor/Chief editor
The Skill Smart series for the Hong Kong Certificate Examination in English (HKCEE) was the first set of products for the secondary ELT team at Educational Publishing House (EPH). When I arrived at EPH in May 2006, production was already under way. In my first couple of weeks, the director and project manager asked me to review the content. We made some minor adjustments, hit our deadline, and went on to take in 15% of the market in our first sales season.

We then went on to prepare an ELT course for senior secondary school, Step Ahead, for submission to the education bureau in 2008. It became the first secondary ELT course from EPH to be accepted by the Education Bureau, all this thanks to a passionate, dedicated team.

And along with Step Ahead, we produced a new Skill Smart series for a new examination, the Hong Kong Diploma of Secondary Education (HKDSE). 

25 June 2020

Progression of grammar items in primary ELT material

Years ago, when I was working in-house as a secondary ELT editor in Hong Kong, a woman from the primary ELT team came over to my desk to ask about grammar for a primary course. It had to do with teaching what and how many with the present simple first or yes/no-questions in the present simple first. My first reaction was yes/no-questions, but I quickly took that back, explaining that information questions are more common and should probably come first in a general English course.

I think most ELT content developers would agree with that, but if you feel differently, your thoughts are most welcome. The strange thing was what I learned next. In a reading passage, a writer had used a few yes/no-questions before they had been taught. As that ‘wasn’t allowed’, she was wondering if she could move the teaching of yes/no-questions closer to the beginning of the course.

‘Wasn’t allowed.’ That was odd to me so I asked what she meant and the answer was what I call the primary ELT contradiction rule: We can’t use a grammar item in the course until the students have been taught that grammar item. The same can apply with vocabulary. Before my brain could stop me, I blurted out, ‘How is it possible to do the first unit in Primary 1, then?’

That was the beginning of my education with the planning of primary ELT materials. She explained that, for example, we can’t use the present continuous or past simple or contractions or prepositions in a reading passage or activity if that grammar item hasn’t been taught yet. I couldn’t understand how it was possible to control language to such a degree. Would that make the materials terribly unnatural? I asked. And the discussion went on ...

Now I’ve planned enough courses to know that we need to consider the progression of grammar and vocabulary items as we design. This is also true of topics and outcomes. I can understand that we have to start primary courses somewhere, which is almost always with classroom objects (countable nouns, articles, how many, numbers, are/can, often colors) and identifying oneself (what, is, possessive adjectives).

But to think that primary students would not see a single past simple verb in context until they were taught the past simple (which is often not until Primary 3) jarred with my teaching sense. I’m guessing that not all primary courses are so rigid and ELT-y, but the primary courses I’ve seen, worked on, and written have been. I guess the thinking is that we don’t want to overwhelm young learners, and I can understand that, but on the other hand, it seems clear that this way of thinking greatly limits the English language learning experience. 

Take the past simple, for example. Because past simple verbs have to be conjugated and many are irregular, we often do not teach the past simple unit Primary 3. In such a case, it means students will have had 20 to 24 units of material before they see an English simple past verb form -- that is if they don't read fiction or watch videos or films. It strikes me as odd -- and I often joke with teachers and editors about this -- that there is no past time, no concept of the past for students till they’re in Primary 3. It might make for a good science fiction story.

Of course, we know that young learners do have a concept of the past because we can look at their first language. Anyone reading this can think about their native language and the simple past questions we might ask children that are two or three years old. What did you have for lunch to day? Did you sleep well? What did you learn at school? How was your day? What did you get for your birthday? So why don’t we introduce the past tense earlier in ELT courses? 

Well, because data show waiting to teach past simple ‘works’. (And I won’t get into the discussion about what ‘works’ today.) We parse the English language down into bits and pieces, into bitty building blocks that we need to be stack together so they won’t fall, and ... voila ... we have a scale of progression. While I understand learning a new language often works that way, part of me feels that we’ve come to accept that mindset almost as dogma. Our thinking about grammar progression is largely based on structural complexities, not conceptual frameworks or daily-life contexts.

To this building-blocks method, we often add in text types and their features, vocabulary, listening, reading skills, etc. (Is all that not overwhelming?) In one course I helped write, I couldn’t use the word basketball in a passage because it hadn’t been taught. But here are some words I could use (and had to explain) in Primary 1: identify key words, pronoun reference, recognize common abbreviations.

These were the reading skills and actual headings on the student book page, and clearly, they're more challenging terms than basketball. I queried it because it broke the primary ELT contradiction rule, and suggested putting the reading skills in the teacher’s book, especially for Key stage 1, so teachers could decide how to introduce it. My suggestion didn’t happen. All these additions and ticking off boxes of objectives and aims make me wonder whether we are sometimes impeding rather than facilitating language learning. 

Yeah, yeah, I can hear you. Courses have to start somewhere. We know that some structures are simpler than others (see the CEFr and all that) and so we start with the simple ones and move on from there. Even with adult learners we have to do this, even ELT readers have graded language, structures, and so on. I’ve had the discussion many times ... it’s how it’s done, it’s how the local market does it (and all markets seem to be similar), the local English teachers (LETs) are used to it, the Education Bureau knows what it’s doing ... and finally, how would you change it?

Well, I’m not loaded with degrees and I’ve never studied data sets, but my feeling is something like a blend of language arts and ELT could be worth looking into, if an ELT publisher already hasn't. Young learners, Pre-Key stage 1 and KS1 learners, love stories, visual content, movement, acting out, playing, singing. These early stages could focus largely on reading, spoken communication, fluency, getting along, etc. Reading and listening skills could easily be taught without overtly identifying and explaining them on a student book page. The same can work for text types and so on. The materials could then link in grammar and further concepts in KS2. 

One reason I feel the language arts + ELT approach can work better is that the focus is on communication and fluency. And once students have learned to communicate, it’s much easier to talk about grammatical structures, listening skills, text types, and other things. As is, Primary 1 students, students who may not speak a word of English, are being taught so many things at once that English must seem a garbled mess to them. Imagine trying to explain grammatical concepts and structures or reading skills to students who can’t understand what you’re saying. And yet, in my experience, this is what we do and somehow we make it ‘work’.

I’ll close with this additional comment, which may seem off-piste. As a an editor, I was taught from the get-go, always keep your audience in mind. A good rule, I thought, so I now ask: Are we keeping the audience in mind when we heap structures, skills, text types, tasks, etc. on KS1 learners? 

Would love to hear your thoughts on all this. :-)

24 June 2020

Collins Exploring English 6, 7, 8

Role: Content provider 
Exploring English was my first experience with Collins and it was positive one, on both sides, I hope. 😏 And it was a rare experience to work with authentic content from professionally published authors. As the blurb says: 

A multi-skill course that focuses on all aspects of language learning to help learners develop communicative competence. The series includes a wide range of high-quality reading texts, both classic and contemporary, by Indian and non-Indian authors, as well as original pieces written by children’s authors.

Some of the writers included Bertha Adams Backus (Then Laugh), Subhadra Sen Gupta (Dal Delight), Roald Dahl (Matilda), Ray Bradbury (All Summer in a Day), Paro Anand (Pepper), Robert Frost (Stopping by the Woods on a Snowy Evening), Saki (The Open Window), Robert Louis Stevenson (The Vagabond), Ruskin Bond (The Eyes Have It, Harold: Our Hornbill), Denise Levertov (Celebration), H.G. Well (The Time Machine), Vikram Seth (The Louse and the Mosquito), Rabindranath Tagore, (The Flower School). 

It was fabulous working with rich, multi-level texts, rather then the ELT type texts that I often am asked to write. Yes, I think I can write pretty well for coursebook content, but let's just say I ain't no Bobby Frost.  

And you may be wondering, What exactly is a 'content provider'? Well, some projects already come with reading texts (as shown above), and when they do, they just need content written around them, e.g. reading comprehension, a focus on grammar or vocabulary, a writing task in response to the text. That was me in this case, and again, I consider myself fortunate to have been able to work with such wonderful texts. 


EF Culture File USA/USA+

Role: Editor
EF Culture File USA/USA+ is a course that EF developed for students studying in the US. It is an integral part of the Efekta Action Learning system, a system that helps students track their progress and experiences as well as acting as a stimulus to make the most of their EF course. Culture File USA/USA+ is used together with the EF Fast Track series. You can watch an EF student talk about her experience with the Efekta learning system here

Again, another great project with a fab team!

23 June 2020

EF go! A1 to B2

Role: Editor
EF does lots of summer/winter travel immersion programmes and EF go! is one of those courses. It's a complete English language course specially designed for students aged 14–19. My role was to pick up manuscript from Dropbox as it came in and prepare it for design. This involved: 

  • adhering to EF's manuscript template and style guides
  • checking reading and listening texts for level, length, sense, flow, appeal
  • making sure activities were error free, set out correctly, and achievable
  • checking allotted time for activities
  • making sure teacher's notes were clear, concise, and easy to follow
  • imposing consistency to rubrics, teaching language, and teacher's notes 
  • taking on any other ad hoc duties from the project editor or publishing manager
  • and of course a doing a final spell and grammar check. 

It's always great fun working with EF as management is super organized and the writers are experienced and engaging. If you'd like to learn more about EF Languages Abroad, just click.


Primary 1 Phonics: C & G

And here's another phonics lesson, hard C/K & G sounds. This is an embedded Microsoft Office presentation, powered by Office .